blend

Learn How to Mask Hair, Down to the Final Fragile Follicle, in Photoshop

My final video course of 2011 for the lynda.com Online Training Library is now live. Titled Photoshop Masking & Compositing: Hair, it lives up to its name, showing you how to mask and composite the most fragile of all photographic details, hair, in that most powerful of masking applications, Photoshop.

Photoshop Masking & Compositing: Hair

(Yes, I'm aware that the term "follicle" specifically refers to the root of the hair, not the part we see and therefore need to mask. It's all about the alliteration, dammit!)

My goal is to boost both your skills and your confidence. As well as pass along lots of useful, in-the-trenches techniques. All in just 3 hours and 6 minutes! Here's an illustrated outline of the four feature-rich chapters and the fun, challenging projects that accompany them: Read more » 

The Next "Photoshop Masking & Compositing" Course Goes Live @ lynda.com

Ask anyone at Adobe what distinguishes Photoshop from every other image-editing program, app, or digital blip on the planet, and they'll tell you "masking and compositing." Apparently you agree, because my video course Photoshop Masking & Compositing: Fundamentals is tearing up the planet over at lynda.com. It's N-to-the-1-to-the-L-D-C, as the dope kids say. As if I'd know.

Naturally, I'm gratified. (Thanks very much, btw!) Plus, it emboldens me to report: Today I and my beloved video publisher release another installment in the series, Photoshop Masking & Compositing: Advanced Blending. The image below might make it look exacting and academic. Which it is. But it's also expansive and practical. Because it tells the ultimate post-processing story: How to paint without permanence, create without consequences, and, in the end, mask without masking. In short, how to assemble photorealistic artwork through the pure power of artistic thought. It really is that good.

Photoshop Masking & Compositing: Advanced Blending

This is a short course, just 4 hours, and yet it manages to comprise 9 chapters. Here they are: Read more » 

Deke's Techniques 030: Inventing Custom Starbursts

Deke's Techniques 030: Inventing Custom Starbursts

In today's technique, I show you how to create starbursts. Not those boring starbursts that contain text messages like "New!" or "Improved!" or "Pow!" But custom stars that are literally bursting at the seams, much like flares, blasts, and explosions in the real world. All with no more than a star-shaped path outline, a few effects, and Adobe Illustator.

Here's the official description from lynda.com: Read more » 

Deke's Techniques 029: Creating a Shooting Star in Illustrator

Deke's Techniques 029: Creating a Shooting Star in Illustrator

This week, I shift back to Illustrator. In which I explore one of the oldest---not to mention, one of my favorite---features in that particular piece of software: blends. These things were introduced waaaaaaaay back in Illustrator 88 (which came out in 1988, when I was a mere child of 26 and Guns N' Roses played its best hand with "Sweet Child O' Mine," not that I was paying all that much attention to the song thing because I was a nerd using Illustrator). Between you and me, blends were originally Illustrator's bizarre response to FreeHand's automatic gradients (which Illustrator didn't add until a few years later). These days, you probably won't use blends to make an everyday-average gradient backdrop. I mean really, what the feck's the point? But blends're useful as a sack of srewdrivers for creating all varieties of intermediate objects. Which are precisely what we need to fabricate this week's topic, shooting stars.

Assuming you're still with me, here's the official description from lynda.com: Read more » 

Illustrator CS3 1on1 box art

Illustrator CS3 One-on-One

Entering its third decade, Adobe Illustrator CS3 remains the most popular and viable vector-drawing program for a simple reason: It’s the best. It offers powerful transformation and reshaping functions, excellent control over text and gradients, and the best color management and print controls in the business. But the learning curve is steep. From the moment you draw your first square, Illustrator demands your full and absolute attention. Enter Illustrator CS3 One-on-One, your crash course on everything there is to know about the program. Read more » 

List price: $149.95USD