dekeStuff

A Car of Many Colors

If you've ever seen a Photoshop demo, you've probably watched someone change the color of a car (or other object) using the well-worn method of targeting and shifting colors with the Hue/Saturation command. Problem is, while this technique is straightforward and even sexy, it rarely works as advertised.

In this article, we'll change the color of a car. However, instead of applying Hue/Saturation in its relative mode, we'll employ it in its absolute mode to achieve not just successful but stellar results. Then we'll use a channel, a mask, and a couple of blending options to turn the car black. The original car (red) and its alternatives appear below.

The original red car from the Fotolia image library

The same car, rendered in gold in Photoshop

That same car again, this time made black in Photoshop

Today's article is based on Deke's Techniques 054 and 055, presented by lynda.com. The base image comes from the Fotolia image library. Read more » 

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Turning a Photo into an Ink Drawing or a Pencil Sketch (in Photoshop)

In this article, we'll take a portrait photo and give it a hand-drawn touch by turning it into first an ink drawing (below left) and then a pencil sketch (right). As you can see, this guy is quite surprised at how well the technique works.

Creating an ink drawing or a pencil sketch in Photoshop

We'll start by making the ink effect using a Smart Object, Gaussian Blur, High Pass, the seldom-used Note Paper filter, another round of Gaussian Blur, a Levels adjustment layer, the Multiply blend mode, and a little bit of luminance blending. It's hardly a one-click solution, but the results are amazing. Plus, this flexible approach can produce several interesting alternative looks, including a credible pencil effect, also documented here.

Today's article is based on Deke's Techniques 026 and 027, presented by lynda.com. (The ink effect is also documented in video form on this site.) Read more » 

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Bigger makes Better: Adding a Magnifying Glass to your Graphic Designs with Photoshop

In this article, we'll add a stock photo of a magnifying glass to a type design, set it up so that the glass magnifies a portion of the text behind it, and add a hint of tint to the glass itself. We'll also create a custom drop shadow---one that looks realistic---because the default drop shadow doesn't quite do the job.

final image

Today's article comes from Deke's Techniques 062, presented by lynda.com. Read more » 

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Yeah, But Will It Print?

Hi, dekeOlytes. So over at lynda.com, there's a free InDesign FX movie every other week from master effecter Mike Rankin. Mike's techniques are very cool, and made from 100% pure InDesign (so they're extra healthy). Thing is, a few people have been asking if Mike's effects will actually survive the printing process. And this week Mike shares this free video that explains why---as long as you're diligent---the answer is yes. I thought I'd share the movie (above) and the post (below) where Mike considered the intricacies and shared his five tips for getting good print results: Read more » 

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History of Illustrator a la Mordy

DekeItarians, you know how it is. You have a system that works. You have deadlines villainously looming over you. And you know there might be a better way to do certain tasks, but you don't even have the context to know what questions you need to ask, let alone time and mental bandwidth to ask those questions. 

Over at lynda.com, our good friend Mordy Golding has a series designed specifically for seasoned users of Adobe Illustrator---Illustrator Insider Training. The latest episode of the series is called Drawing without the Pen Tool, and this particular entry is close to my heart, due to my well-documented bouts of penophobia. The idea of the series is to provide Illustrator veterans a chance to refresh their insider knowledge and workflow habits, without having to start from scratch.  Read more » 

Maybe it's the failed grad student in me, but one of my favorite parts of Mordy's approach to helping rethink Illustrator is to provide each course of the series with a movie that explains historical developments of the software. (I like these movies so much I made sure they were all free to everybody; you can catch the latest one above; links to the others appear after the jump.) This historical context, besides solidifying your graphic software geek education, can really help identify where the learning gaps may have occurred for long-time users of the program. By providing an understanding of where key paradigm shifts might have happened in color, transparency, or drawing tools, Mordy paves the way for you to get back up to speed while maintaining all your hard-won experience and creativity. (You've earned those gray hairs!)
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