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Deke's Techniques 040: Filtering Images with Camera Raw

Deke's Techniques 040: Filtering Images with Camera Raw

I use the commands under Photoshop's Filter menu as much as the next guy. But as a collection, I have five problems with them: 1) Let's face it, most are gimmicks; 2) many of them are old as the hills, so they lack previews; 3) most of the filters don't create the effects that they're named for (Fresco? come on!); 4) in what way are they even remotely related? 5) and they rarely receive any attention. There are the exceptions---for example, Smart Sharpen (CS2), Gaussian Blur (1.0), and High Pass (1.0), although generally ancient, are flat-out indispensable---but for the most part, the Filter menu is riddled with cobwebs of our communal disinterest.

So it got me thinking: Might there be a better place to filter images than Photoshop? My answer: Camera Raw. The great thing about Camera Raw is that it offers precise edge-detection capabilities---the one tenuous string that binds Photoshop's best filters---as well as equally precise color modification options. Plus, the values have huge ranges (compared with, say, the Filter Gallery) and the options make sense (compared with, say, the Filter Gallery).

The result is this free video, in which I show you how to create five independent Camera Raw filtering, from which I imagine you can extrapolate a few hundred more.

Here's the official description from lynda.com, with copious graphics: Read more » 

Photoshop CS5 Top 5: Refining Your Masks

Refining Your Masks

One of the most common questions I hear from Photoshop users is, how do I extract people from one background and set them against another, with all their hair intact? Having written a book and recorded more than 50 hours of video on that very topic, I can assure you, there are lots of ways to do it. And it all starts with creating an accurate mask. Read more » 

Photoshop Top 40, Feature #35: Refine Edge

Feature #35: Refine Edge

Over the years, Photoshop has attempted several means for automatically distinguishing one portion of an image (say, a person) from the rest (its background). All have seemed promising at first. And yes, whether it's due to the allure of the tools or our faith in miracles, I do mean all. Yet as we grow wiser, they grow ever more unacceptable. Classic cases in point: The entirely unmagical magic wand. The sluggish and sloppy quick selection tool. And who can forget the ultimate and absolute disappointment of Extract?

But at least two commands have proven that selection automation is possible. Happily, one of them is today's Top 40 Feature: Refine Edge. Read more » 

Photoshop CS3 Mask box art

Photoshop CS3 Channels & Masks

Essentially a collection of luminance data that controls the transparency of an image, the modest alpha channel informs just about everything you do in Photoshop. and coming to terms with alpha channels (a.k.a. masks) is the most sure-fire way to boost the quality of your work in Photoshop. But masking isn’t easy. In fact, the elusive alpha channel has been described as the least understood feature in Photoshop’s enormous arsenal. Until now, that is. In Photoshop CS3 Channels and Masks, expert Deke McClelland blows the lid off the topic. Read more » 

List price: $149.95USD
Photoshop CS2 Mask box art

Photoshop CS2 Channels and Masks

The elusive alpha channel remains one of the most misunderstood yet powerful tools in Photoshop. Alpha channels are collections of luminance data that control the transparency of an image, and they inform just about every aspect of Photoshop. Selections, layer boundaries, masks, the Quick Mask mode, layer masks, knockouts, and masking with the Channels palette all rely on alpha channels. In Photoshop CS2 Channels and Masks, award-winning author and Photoshop expert Deke McClelland teaches channels and masks comprehensively. Read more » 

List price: $149.95USD