hair

Learn How to Mask Hair, Down to the Final Fragile Follicle, in Photoshop

My final video course of 2011 for the lynda.com Online Training Library is now live. Titled Photoshop Masking & Compositing: Hair, it lives up to its name, showing you how to mask and composite the most fragile of all photographic details, hair, in that most powerful of masking applications, Photoshop.

Photoshop Masking & Compositing: Hair

(Yes, I'm aware that the term "follicle" specifically refers to the root of the hair, not the part we see and therefore need to mask. It's all about the alliteration, dammit!)

My goal is to boost both your skills and your confidence. As well as pass along lots of useful, in-the-trenches techniques. All in just 3 hours and 6 minutes! Here's an illustrated outline of the four feature-rich chapters and the fun, challenging projects that accompany them: Read more » 

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I've Begun Work on My Next Photoshop Masking Course

Just a note to let you know that I've begun work on my next video course for lynda.com, which will be called Photoshop Masking & Compositing: Fundamentals. The course is slated to be 9 chapters long, and it will set in motion the stuff that you need to know to mask a photographic image with absolute authority against any and all backgrounds. Many courses will follow, including (but not limited to): Advanced Blending, The Pen Tool, and the ever-thrilling Hair. The last of which will include "tough stuff"!

At Photoshop World, I had many folks come up to me and tell me that my two back-to-back Channels & Masks sessions were their favorite at the conference. Which was awesome, because those sessions were based on my old content. This next course is a new take on things. Here's how it all starts, with an artificially colored foreground set against a similarly adjusted background. (Based on a Fotolia image from TessarTheTegu, BTW.) It's a wacky multichannel effect. And, really, isn't he just the duckiest toucan you ever laid eyes on? I love how he has pretend teeth to scare off the predators. (That's not Photoshop, that's natural!) Don't you just want to take him home and make bird-love to him? I know, me too.

Photoshop Masking & Compositing preview Read more » 

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Photoshop CS5 Top 5: Refining Your Masks

Refining Your Masks

One of the most common questions I hear from Photoshop users is, how do I extract people from one background and set them against another, with all their hair intact? Having written a book and recorded more than 50 hours of video on that very topic, I can assure you, there are lots of ways to do it. And it all starts with creating an accurate mask. Read more » 

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Photoshop Top 40, Feature #31: The Brush Tool

Feature #31: The Brush Tool

If you know anything about Photoshop's brush tool, you know it paints smooth lines in the foreground color. You can control its behavior to the nth degree from the options bar and Brushes palette. And it responds to pressure-sensitive input.

Those attributes alone would earn it a place in the coveted Photoshop Top 40. The fact that it also excels as a masking tool merely cements the deal. Read more » 

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Photoshop Top 40, Feature #32: The Pen Tool

Feature #32: The Pen Tool

If you're anything like me, you just finished celebrating Labor Day by not laboring in the least. Happily, the same cannot be said of Photoshop Top 40. Tuesday after Tuesday, this proud and relentless podcast marches on.

Fittingly, today marks Feature #32, The Pen Tool, one of the most powerful but labor-intensive tools in all of Photoshop. Newbies select images with the likes of the quick select and magic wand tools. Both are highly automated, but they rarely work. Experts use the pen tool. It takes some work to master, but it always works in return. In other words, learn to use the pen tool and you'll be prepared for any masking job. Read more » 

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