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Deke's Techniques 022: Removing People with Image Stacks

Deke's Techniques 022: Removing People with Image Stacks

Today's Deke's Techniques explains how to magically remove unwanted people from a photograph. Crazy as it may sound, you can take anything that moves in a scene---a person, a car, or even a distended orangutan head---and make it disappear into thin air. Suddenly a crowded plaza or distant vista becomes altogether vacant.

This technique requires two things: First, you'll need to shoot several exposures of the scene so that Photoshop can compare the stuff that moves to the stuff that doesn't. And second, you'll need Photoshop Extended. Either CS3, CS4, or CS5 will do just fine; but you have to own the Extended version of the software to pull this technique off.

Assuming you have both of these, the tool of choice is the image stack. Like a super-powered blend mode, an image stack takes a smart object-full of images and runs a kind of statistical analysis on every pixel across multiple images. Which is to say, it blends the similar pixels one way and the different ones another. So an image stack either wipes out or highlights differences.

Here's the official description from lynda.com: Read more » 

Deke's Techniques 021: Assembling a Flawless Panorama

Deke's Techniques 021: Assembling a Flawless Panorama

It's tempting to dismiss stitched panoramas as a kind of trendy fad, one that passed about the same time that Adobe finally got its act in gear with the current version of Photomerge. But I see panoramas very much in the realm of ongoing relevance, and for two reasons. First, the obvious: You can build an image with roughly the same proportions as human eyesight, thus permitting the viewer to fully immerse in your photograph. Second, and more importantly (because there's nothing that says these things have to be wide), you can assemble a higher number of pixels than your camera can otherwise capture. For example, a collection of 12-megapixel shots can grow upwards of 30 megapixels---even after cropping---enough to measure at least 3 feet wide (or 3 feet tall, if you prefer) at 267 pixels per inch.

Photoshop's Photomerge command is easy enough to use. But getting flawless results out of it is another thing. It's less a matter of Photoshop wizardry---there's not a whole lot you can do to control Photomerge's automated behavior---and more one of capturing the best scene while behind the camera. And because panoramas are best suited to grand vistas and other location shots, you may have just one chance to get it right. Which is what this video is ultimately about.

Here's the official description from lynda.com: Read more » 

Seven Days in Venice

With any luck, dekeOnline feels like it's been humming away like the seamless beast that it is. In which case, I cheerfully admit, it's been doing so largely without me. Last week, I was away on one of my rare vacations. This time in Venice. You may know Venice from tales of its canals and Mediterranean sun. But latitude-wise, the city is roughly even with Mongolia and Nova Scotia. Toss in lots of water, copious fog, and a few Adriatic winds, and you have one of the coldest Winter cities I've ever visited.

Which was a good thing. Witness the HDR composite of Ponte Rialto below (captured with an Olympus E-30 and merged in Photoshop's HDR Pro). I count 14 people on the south side of the bridge. Based on my experience traversing that bridge, there's a very good chance every one of them was Italian. In the Summer, the Rialto is jam-packed with tourists of all stripes. But in the Winter, it's just you, a few Nativi Italiani, and the indigenous denizens of Venice. Which means, for a few heavenly days, you can rid yourself of Americans.

Ponte Rialto at sunset

Nothing against the Dear Old U.S. of A. I'd sooner live on the moon than anywhere else. But charming as Americans are in the wall-to-wall box-store opulence of The 50 States, they tend to be boorish imperialists abroad. As if to supply proof, the one American at my hotel: A) asked the dining crew if the complimentary breakfast included waffles, B) woke the housekeeping staff late at night to request fluffier pillows, and C) inquired of me one day if I had been to the "Doag's House." (He meant the Doge's Palace.) Once I got to know him, he was a great guy. But I really wanted to take him aside and entreat him, on behalf of Our Great Country, to stop being such a dumb shit. Read more » 

Photoshop Top 40, Feature #27: The Crop Tool

Feature #27: The Crop Tool

Okay, so the crop tool isn't necessarily Photoshop's most exciting feature. But what in the hell would we do without it? This one tool lets you clip away the edges of a photograph so you can hone in on just those details that you want to keep. You can straighten an image that you inadvertently shot cock-eyed. And best of all, you can temporarily hide portions of an image (as opposed to forever clip them) so that you can restore the cropped areas and recompose the image five ways to Sunday.

Which is a lot of "featuricity" for one tool. As usual, I show you more than how the crop tool works. (Cropping couldn't be much more obvious.) Rather, I show you how to exploit the crop tool six ways to Tuesday. Which is the promise of Photoshop Top 40, after all. Read more »