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Photoshop Masking & Compositing: The Free PDF Companion

Last month marked the debut of Photoshop Masking & Compositing: Fundamentals, my video-based introduction to the principals of masking for lynda.com. At more than 11 hours long, the course is not only comprehensive, but also demanding.

So I decided to try out an experiment, in the form of an 11-page PDF companion. Available for free to members of dekeOnline, this file provides a few helpful services: First, it provides an introduction to the course as a whole. Second, it outlines the contents of each of the nine chapters, including the names of all 128 movies. Third, it provides links to the free movies, of which there are 12 in all. (It is lynda.com's custom to make 10 percent of any course free to non-members.) And finally, I recommend what I consider to be the three most useful movies in each chapter. All links are live, but to see the linked movies, you'll need an Internet connection, you'll have to be a member of the lynda.com Online Training Library, and you'll need to be logged into the lynda.com Web site.

Photoshop Masking & Compositing: The PDF Companion

You'll need to be a member of dekeOnline to proceed. Read more » 

Martini Hour 008, In Which Deke Notes that It Doesn't Feel Like an Hour

We've returned to our groovy tech-talk chill this week after the ruckus that was caused by inviting Russell Brown last week. And as promised, a winner from our martini hour visualization exercise will find his or her work featured as the lead graphic for this week's show. We'll start with Steve Newton because he paid the "I live across the Atlantic" tax and didn't get all the kitchy tradeshow castoffs that I sent to Gale solely because she lives in Canada.

Is anyone but me wondering if this picture is listing slightly? Meanwhile, here's the skinny on this week's installment of the world-famous Martini Hour. Read more » 

Extracting Image Files from InDesign (sort of) When You Don't Have Originals

Has anyone else out there ever needed to get a preview image out of InDesign and into the world-at-large when the original linked files were not available? Maybe it's just me, because it doesn't seem like an easy thing to do.

Because I edit books on graphical subjects, many of my authors actually like to write and submit InDesign files (rather than go "old school" and turn in Word docs and a folder full of TIFFs.) Until the ready-for-production draft goes off to my brilliant composition team, I really don't need (or want) to have them send along the linked files. InDesign's preview images are certainly good enough for me to evaluate a manuscript— and, frankly, passing around hundreds of megabytes of photos during the draft stage would eat up time and bandwidth unnecessarily.

I have, however, found myself on occasion wishing I could create an independent file from an InDesign preview in an emergency. Once upon a time, my answer was to take a screenshot of the preview image in situ and then paste it into Photoshop. But now I have a better solution: Create a PDF and use Acrobat's ability to extract images.

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