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The Next "Photoshop Masking & Compositing" Course Goes Live @ lynda.com

Ask anyone at Adobe what distinguishes Photoshop from every other image-editing program, app, or digital blip on the planet, and they'll tell you "masking and compositing." Apparently you agree, because my video course Photoshop Masking & Compositing: Fundamentals is tearing up the planet over at lynda.com. It's N-to-the-1-to-the-L-D-C, as the dope kids say. As if I'd know.

Naturally, I'm gratified. (Thanks very much, btw!) Plus, it emboldens me to report: Today I and my beloved video publisher release another installment in the series, Photoshop Masking & Compositing: Advanced Blending. The image below might make it look exacting and academic. Which it is. But it's also expansive and practical. Because it tells the ultimate post-processing story: How to paint without permanence, create without consequences, and, in the end, mask without masking. In short, how to assemble photorealistic artwork through the pure power of artistic thought. It really is that good.

Photoshop Masking & Compositing: Advanced Blending

This is a short course, just 4 hours, and yet it manages to comprise 9 chapters. Here they are: Read more » 

Photoshop Top 40, Feature #6: RGB, CMYK, and Lab

Feature #6: RGB, CMYK, and Lab

Color is a wild beast. One that you admire, exalt, and even brood over. But the second you think you have it figured out, it can change on you. It looks different in print, it transforms on the Web. Color cannot be caged and will not be tamed.

Even so, Photoshop tries. It knows you adore color. But it also knows the beast. Photoshop sees color for what is it, a 3D landscape of luminance levels, clawing at each other and competing for your attention.

There is RGB, the creature that is captured. And CMYK, the monster chained and offered to the world. And finally there is Lab, the beast itself. Read more »