multiply

The Next "Photoshop Masking & Compositing" Course Goes Live @ lynda.com

Ask anyone at Adobe what distinguishes Photoshop from every other image-editing program, app, or digital blip on the planet, and they'll tell you "masking and compositing." Apparently you agree, because my video course Photoshop Masking & Compositing: Fundamentals is tearing up the planet over at lynda.com. It's N-to-the-1-to-the-L-D-C, as the dope kids say. As if I'd know.

Naturally, I'm gratified. (Thanks very much, btw!) Plus, it emboldens me to report: Today I and my beloved video publisher release another installment in the series, Photoshop Masking & Compositing: Advanced Blending. The image below might make it look exacting and academic. Which it is. But it's also expansive and practical. Because it tells the ultimate post-processing story: How to paint without permanence, create without consequences, and, in the end, mask without masking. In short, how to assemble photorealistic artwork through the pure power of artistic thought. It really is that good.

Photoshop Masking & Compositing: Advanced Blending

This is a short course, just 4 hours, and yet it manages to comprise 9 chapters. Here they are: Read more » 

Deke's Techniques 046: Rendering a Portrait in Type

Deke's Techniques 046: Rendering a Portrait in Type

Anyone who knows the ins and outs of the printing business is familiar with halftone dots. Viewed up close, you see the colored dots; viewed from a distance, the dots resolve into a continuous-tone image. This week, I take on something similar. Only instead of dots, I substitute characters of text. Viewed up close, you see letters. Viewed from a distance---or merely, as a whole---the letters resolve into a photograph. Either way, the text remains legible as text.

Here's the official description from lynda.com: Read more » 

Photoshop Top 40, Feature #11: Opacity and Blend Modes

Feature #11: Opacity and Blend Modes

Welcome to a block of the most powerful options inside Photoshop: Opacity and Blend Modes. These include the options at the top of the Layers palette, not to mention those associated with the brush tool, the Calculations command, and a whole lot more. What these options do is blend pixels together, entirely parametrically--meaning no harm done--using math. Beautiful, lovely, gorgeous math. Read more » 

Martini Hour 005, In Which Colleen Proves She Paid Attention in College

Yes, my friends, it's time for another relaxing frolic in the frothy foam of Martini Hour. Oh, I know, one doesn't usually associate martinis with frothiness, but in this episode the lounge I dusted off my blender to whip up some Ramos Fizzes in homage to this week's theme: Blend modes.

And while the drinks may be sweet and frothy, the discussion is crisp and clarifying as a classic olive-laden martini. Here's what we whipped up for you:
Read more » 

Photoshop CS3 Mask box art

Photoshop CS3 Channels & Masks

Essentially a collection of luminance data that controls the transparency of an image, the modest alpha channel informs just about everything you do in Photoshop. and coming to terms with alpha channels (a.k.a. masks) is the most sure-fire way to boost the quality of your work in Photoshop. But masking isn’t easy. In fact, the elusive alpha channel has been described as the least understood feature in Photoshop’s enormous arsenal. Until now, that is. In Photoshop CS3 Channels and Masks, expert Deke McClelland blows the lid off the topic. Read more » 

List price: $149.95USD