Hi Deke, Do you have any Lightroom courses?
When are the Illustrator CC 2015 One-On-One Mastery and Photoshop CC 2015 One-On-One Mastery courses expected? Its been a year or so when the Fundamentals and Intermediate volumes were released. Besides, the second volume of even Adobe Pen Tool is still awaited.
First of all thanks for all the great works you have been doing. It won't be an exaggeration to say I have learnt a lot from all of your tutorials on Photoshop, Illustrator, etc. However, there is lot of confusion on the web regarding the suitability of programs for print jobs (commercial printing). Some say, never use Photoshop for print jobs; others say start with CMYK if you are under compulsion to create those jobs in Photoshop. There are others who argue that it is best to start with RGB in Photoshop and then convert color settings to CMYK and flatten the document before exporting it into other programs. There are some who even strongly opine against exporting Photoshop works for print jobs in the pdf format.
I want to know, what if I have to create print ready works in Photoshop and Photoshop only with some help from Illustrator when required? I want to add, I am equally at ease with Photoshop, Illustrator and InDesign; but I want to do any work in Photoshop since I find its effects and filters features as something which Illustrator or InDeisgn lack in. Illustrator can do if its logo or other vector poster jobs; however nothing can beat Photoshop when it comes to the final amazing results created with images and effects.
It would be great if you could find some time to help me on this confusion.
Dear Mr. McClelland:
I am a big fan of you:)
I have watched One-on-One Fundamentals and Advanced.
Would you please tell me when your third course, Photoshop CC 2015 One-on-One: Mastery, will be launched?
Deke, I've taken almost all of your courses on Lynda.com for Photoshop, including the latest updates to CC 2015.5. You do Rock!
...but, since updating to this latest version, I can't figure out why it is when I switch from one floating document to another, that the 'other' document always reverts to full-screen mode. This drives me nuts. Does anyone have any idea how to disable this functionality?
I have learned a large majority, of my photoshop skills, from Deke, via Lynda.com Deke is so thorough and awesome!!! A huge thank you, to Deke, for teaching, the world, not to be afraid of photoshop :)
I learned to use Photoshop CS6 from you, via Lynda.com
Now I need to relearn the newest version, new preferences etc.
Do you have an updated version to that course?
This week, in fact. In the meantime there's Deke's course on what is new:
Photoshop: 2015 Creative Cloud Updates
I've enjoyed your tutorials on Lynda.com for years, and discovered your site today. I plan to spend some time going through it today.
One tutorial I'd like to see from you is how to create TV sports graphics. Not necessarily motion graphics (the kind of stuff you need Cinema 4D and AfterEffects to create), but Photoshop type graphics, such as the score bugs in the corners, or lower thirds, or big display graphics meant as standalone elements (like a player's photo and stats). The kind of stuff with the beveled edges, glistening with that shiny, new look and angled with perspective.
I doubt that such a course would fit in a "Deke's Techniques" time slot, but I believe it would have some practical use for web and print designers seeking to emulate that look.
I sent this idea in to Lynda.com a few months ago. They referred me to the AE course that covers this, but otherwise seemed unenthused. Does this sound like an interesting idea to you?
(P.S.: I also sent this message in an e-mail.)
Hi Deke, I am a big fan of your tutorials on Lynda.com and find your style great. I would be interested to hear your thoughts on the use of Luminosity Masks as part of an advanced workflow in Photoshop CC. I have seen some very interesting work by Jimmy Mcintyre on this topic but would love to see something on Lynda. Kind Regards Peter
Michael E. Krueger
Thanks for your teaching, its has always been a privilege taking your courses. Your enthusiasm every time you teach is vary inspiring and keeps me wanting more. Great teaching. I have been through your weekly classes at Lynda looking for a specific topic I have recently been in need of.
I would like to create a montage of photos to create a portrait. The obvious approach would be to take my collection of photos and create a pattern and then take the Portrait of interest and blend it into the pattern. Is this the best approach to a true montage?
If you have a class on this could you direct me to it?
Hi , Deke I am just starting with these softwares . But I actually don't know which one to start either Photoshop or Illustrator. Thanks in advance as I think my query will cleared by you.
If you are asking whether to start with Photoshop (PH) or Illustrator (IL) the answer lies with you. Photoshop works in rasterized work (pixels) while Illustrator works in vectors, smooth and infinitely scaleable lines. There is a bit of crossover but each has its preferred method and uses.
What is your goal and what will you be doing? Will be you be starting with photos or stock images and manipulating them or making composite pictures? Then start with Photoshop, which in my opinion, has much more, stronger and versatile blending modes and layer styles.
Or, will you be creating artwork, logos, tee shirt designs, graphics for gaming, comics, etc? Then you'll want to start with Illustrator. This is not to say that you cannot create from scratch some outstanding art with Photoshop, because you can.
Regardless of which you start with there are some basics you'll want to get comfortable right from the start. Nothing to do with creating work but everything to do with workflow and efficiency. Learn your keyboard shortcuts. Eventually, you'll be working with one hand on the keyboard and the other hand on the mouse or tablet pen. Learn about files, layers, locking layers, duplicating layers and how to work non-destructively. Get into the habit of naming layers, and grouping layers when it makes sense to do so. Layers in PH and IL have slightly different uses. (I was once asked by a client to do some work on a project that they got from someone else. Inside was 104 unnamed photoshop layers. It took hours to sort it all out before I could do the actual work. So, do yourself and others a favor and get into the habit of naming layers and paths and groups.
In PH learn masking and clipping. In IL learn the pathfinder tool. Learn the black and white arrow tools and take Deke's course in the pen tool. That one course will save you hours of frustration.
Hopefully this gives you some insight.
Best of luck and enjoy.
Hy Deke .....Its ur tutorials and teaching method that make me illustrator master...I wish to meet u one day in my life ...and thank to You,......
i am your fine ,u r world best designer , i have esay learning u r tutorial ,i request
u r continuous introduced to learning tutor ........
Hello!This is really nice blog. Full of energy in doing creative outcomes. Keep it up and you'll succeed. Thanks and have a wonderful day!
Can you add more underwater techniques like the turtle? Couldn't find the second installment.
Otherwise, everything is great.
Just wanted to let you know that Deke's got an entire underwater course coming next!
I know a lot of people who will be very interested.
I am a Instructional Designer working at a government training center in Denver. Your courses really jazzed up my skills in Photoshop. Big fan of yours! Great thing about these courses you have on Linda.com is I don't have to travel anywhere to take them, which is a big bonus since I'm disabled plus I don't waste a lot of time on the road. Oh yeah, I can go back to any point in the training and refresh my skills. You is da bomb Deke!
Hi, Deke. I am a teacher and have been watching your videos on Lynda.com, rather sporadically, I must confess, since 2008. (If you know anything about the life of teachers in this current decade, you know that our lives are consumed with many and varied tasks that leave little time for other pursuits.)
Anyway, this summner, I have devoted myself to getting back in the saddle and really learning how to use this amazing software. I love your videos! They epitomize good teaching strategies with the project based learning. And I am always entertained by your wit, amazed at your ability to multitask, and ever so thankful for all the insider tips and tricks you pass on to your viewers. You have just about ruined me for watching anyone else, with the exception of Mordy...he's an amazing teacher, as well.
I do have one request, and I don't know if you will have time for such a pursuit or not. I find myself stopping throughout your videos to type up the major steps involved, including little screen shots of something I might not get from the text, tips and tricks, etc., because I know that in a few months, weeks, or sometimes minutes, I am bound to forget some very vital maneuver in the process. I was initially saving the transcripts for this purpose, but they don't really meet the need because they have everything you say in a video, which includes a lot of extraneous stuff. But if there could be a synopsis of each chapter, say, for example, one for the layers chapter, one for the pen tool, with just the tips, tricks, or steps involved in a process, that would be beyond helpful. Then I know I for one could proceed faster through the courses, which with the time constraint I'm under, is imperative for me.
And if you don't have time, but think others might be interested, I can share what I make for myself. It's just that at 61, the little gray cells seemed to have less capacity for holding information. That's another reason I so greatly appreciate your videos...because there are so many opportunities to practice, and practice is what makes permanent.
Anyway, better wrap this up by finishing off with another round of applause for your excellent work in educating this here "dummie" in Illustrator and Photoshop. Your friend, Patti Pike
I've recently been given the task to do some Illustrator work in our office and with out your your Lynda tutorials, I would have been lost. You have a great style, voice, tempo, and cadence. I find when working along side you in the sample files, sometimes the pace can be a bit fast, but then again, that's why there's rewind. :-)
I've been trying to figure out how to create a realistic ripped paper path that for example when I take a screen shot and want to show a portion, but don't care about the rest, I'd like to have an affect that would simulate ripped paper showing the reader there's more but it's not important. I can and have faded out the bottom, hard cut the image, but there's got to be an easier way. Can you help?
I have an old color photograph probobly on Agfa paper that has become purple.
Have scanned it to see if I can recover it and I failed.
Is there a procedure to recover the photo to restore the colors?
If there is it would be a great subject for Deke’s Techniques.
In whatever way you have been very helpful. All your tutorials are easy to follow and not confusing. I'm just a beginner when I first saw your website but now, not anymore. Thanks!
You're -by far- the best teacher I've had for this type of learning! So much fun - keep up the great work!
Hi Deke, i love to learn more and more Photoshop from you. Thank you for teaching me.
You are simply Amazing Deke.....
eagerly waiting for Mastery course for illustrator & photoshop.........
Deke keeps saying that there are 4 courses in Photoshop CS6 one-on-one series, what will be the fourth course after advanced? Will it be 'mastery'? When will it be out?
Yes and momentarily. Or, soon.
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