"Photoshop CS4 One-on-One: Mastery" Is Complete (At Least, in Terms of Filming)
After roughly 540 movies, "Photoshop CS4 One-on-One" draws to an end.

And by "Photoshop CS4 One-on-One," I mean my three-part, 50-hour-plus (no joke!) video series for the bleeding-edge, on-demand training library lynda.com.
Of those, only 180 or so movies are up right now. Which leaves another 360 movies to go. In other words, 1/3 are up, 2/3 remain.
The series includes three parts: Fundamentals (up now), Advanced (coming in the next week or so), and Mastery (due out by end of April).
In the name of getting you psyched, I offer this visual pastiche from the final installment, "Photoshop CS4 One-on-One: Mastery."
Starting with:![]()

Masking glass. See thru the transparency to the image beyond. Plus, we mask reticulated dinosaur bones and intensely detailed hair. Two dozen fabulous movies (I hope), exceedingly detailed, and fun to watch (again, I hope).

Destined to be the first LDC coverage of vector-based shapes in Photoshop CS4. And my most comprehensive. Links to dekePod Episode 13: Mating Habits of the Pen Tool.

Suddenly, a grimy subway becomes electric. Not only do the walls light up, but we assign perspective masks to the declining reflections on the floor. The final effect is intense and unlike anything I've seen explained. (Vanishing Point to edit masks? And yet, it works remarkably well.)

I offer a total of 36 movies on the topics of smart objects and smart filters. Two chapter is all, so plenty of material. And yet, these are only the beginning. I'll have an entire series on this topic in the late Summer, early Fall. In the meantime, these movies will take you into the nondestructive dragon's mouth and back out again. (Sweet, gentle dragon.)

Now we get into Photoshop CS4's new and improved technology. Here's one on auto-aligning multiple layers and masking them against any old background. Thanks to Chris Orwig for the images.

Okay, so I won a bunch of awards with lynda.com, so big whoop. Even so, these few movies on auto blending a bunch of sparkly objects will make you wonder what will not be possible in the future. So utterly, sweetly, scarily amazing.

Oh goodness. You think content-aware scale is a one-trick pony? But actually, it has four tricks up its sleeve. An amazing feature with some outstanding limitations. Check these movies out and learn what more you can do.

And finally, actions. Not a new feature, but much in need of new and improved documentation -- featuring recent pics of my children, no less! I've long included a guide on how to create the "best chrome effect ever." My newest 16-part walkthru is not only two times better (as witnessed by my introductory graphic). It'll inspire you to create your own adventures in automation.
Which is my way of saying, join me. There's much, much, much more awaiting you at lynda.com/deke.
Comments
Fill opacity 8
Hey Deke,
I'm just watching your One-on-One course with great fascination!
However you said, that you don't have a clue about the math behind the fill opacity eight and as I recently did some tests about that, I thought, maybe I could help :-).
Truth of the matter is: they don't change the maths of the blending modes at all.
However, the results are different and there's just one possible reason for this: reducing the opacity actually clips data.
For example:
Take two layers, filled with a luminance information of 180, use "Linear Dodge (Add)" to combine them.
Results will be 255.
Reduce the opacity to 60% and you'll get 225.
Reduce the fill opacity to 60% and you'll get 255 still.
Now here comes why:
As Linear Dodge combines these two, we get a value of 180 + 180 = 360.
Reducing the opacity clips that value to 255 and calculates with this: 255*0,6+(180*0,4) = 225
Reducing the fill opacity on the other hand doesn't clip the values, but first calculates the values and reduces the opacity afterwards: 360*0,6+(180*0,4) = 288 (which then clips to 255 again of course).
Hope that helps and keep up your great videos!
Sincerely,
Jonas
Best Chrome Ever II
I was working through the recording of "Best Chrome Ever II" in photoshop CS4 one-on-one Mastery at Lynda.com and came to the part where we take style effects from the original Best Chrome Ever so we didn't have to do the boring part of loading them up like "watching paint dry".
I can deal with not having the layered image file in your example, but I don't know what to do to get the chrome effect action completely recorded if I don't have the first Best Chrome Ever action file to scavenge.
I would like to know if the file is available in the DVDs in your books or somewhere outside of purchasing the premium subscription to Lynda.
PSCS4 1on1 Mastery DVD on eBay. Pirated?
Color Adjustment series question...
Lynda has released the "Advanced" title for PSCS4 1-on-1!!!
Righteous!!
Beware the math, I tell you!
Whoot!
Come on Lynda, finish already!
Looks like I choked the system
Thank you Deke.
Oh, Can't Hardly Wait
Missing images in "Setting Up Shop" by Alexandra Alexis
Insofar as the image is concerned
Deke - ur my hero.[said annoyingly in a Steve Urkel nasal twang]
Thanks Deke
That's her all right
doggy style
How on Earth did I miss that controversy?!
Did you use gradient overlay...
It's still a fundamentally similar effect
And we all know