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Deke's Techniques 048: Drawing Rays of Light in Photoshop

Deke's Techniques 048: Drawing Rays of Light in Photoshop

If today's graphic looks like last week's, it because today builds on last week's theme. But the topic is fresh. Today, I show you how to construct rays of soft, blurry, and entirely fabricated light using none other than vector-based shape layers. In Photoshop. With the help of the Polygon tool and the Masks panel. And the Linear Dodge blend mode.

So much sweetness, so little time. Here's the official description from lynda.com: Read more » 

Deke's Techniques 047: Tracing an Image with Path Outlines

Deke's Techniques 047: Tracing an Image with Path Outlines

Today's free movie examines a masking technique. And for once, we won't be using the image to select itself. After all, this is a light bulb, with fragile, translucent edges and very little in the way of color or luminance to set it apart from its background. Happily, it's man-made (gender-neutral, could be woman-made, don't give a crap), so its edges are entirely geometric, as if created with a French curve, protractor, and abacus. By candlelight.

In such situations, your ally is the Paths panel. Most folks associate paths with the Pen tool. Which makes sense. You can draw paths with the Pen tool, but let's be honest: Even if you love the Pen, it has a sharp point that will, on a regular and unfailing basis, poke you in the butt. (Meaning that it's not always that fun to use.) The better solution: Trace your object with a few dozen ellipses, circles, and rectangles. After all, whether you're tracing an old-school light bulb or a new-school smart phone, ellipses, circles, and rectangles are what our wonderful world of glamorous gadgets are made from.

Here's the official description from lynda.com (which includes many more colons): Read more » 

Photoshop Top 40, Feature #9: Levels

Feature #9: Levels

Feature #9 is my favorite adjustment command: Levels. Adjusted only slightly since its introduction in Version 1.0, this seminal feature lets you set the black and white points, as well as correct the midtones without harming either. It refrains from clipping colors unless you tell it to. It boasts Photoshop's first on-board histogram. And it works as well in CMYK and Lab as in RGB.

(Well there's another clue for you all.)

We had nearly twice as many entries last week as the week before, with 19 of you correctly guessing Levels or some variation. The winner is earthrat, whose guessed "Using Levels to work." Congrats to earthrat!

Now it's time to guess Feature #8. Hint: It's the ultimate convenience tool. All members have been sent an email invitation with a URL to enter the contest. (No direct URL this time around.) Join dekeOnline now to receive a reminder and an invitation to next week's contest!
Read more » 

Photoshopping the Great Masters

School of Athens

dekePod Episode 016: Hello, friend. Let's you and I get all collegiate and stuff and engage in some intellectually stimulating free-word association.

For example, I say High Renaissance. You say, Leonardo, Michelangelo, Raphael. Very good!

But you're not done. You say, an unrivaled time of creative energy and unabashedly accurate representation of the human form. Ooh, I like that, keep it coming. The advent of secular humanism, say you, The rebirth of Classical Ideas! Read more » 

The Masks Palette

Killer palette

dekePod Episode 008: 'Tis the season for dark and terrible creatures. Mindless teenage slashers, horrors that come alive when you dream, insane devil dolls. Photoshop CS4 has just such a dark creature living inside it: the Masks palette. It pretends to be small, unassuming, even helpful. Until you try to actually use it. That's when it slices at you and chants its taunting catchphrase, "No mask selected!" But there are ways to make the Masks palette submit to your imaging will. Secret ways, peaceful ways. And Deke is privy to them. Here's the official marketing description: Read more »