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Photoshop Top 40, Feature #9: Levels

Submitted by deke on 16 February 2010 - 12:15am.
Feature #9: Levels

Feature #9 is my favorite adjustment command: Levels. Adjusted only slightly since its introduction in Version 1.0, this seminal feature lets you set the black and white points, as well as correct the midtones without harming either. It refrains from clipping colors unless you tell it to. It boasts Photoshop's first on-board histogram. And it works as well in CMYK and Lab as in RGB.

(Well there's another clue for you all.)

We had nearly twice as many entries last week as the week before, with 19 of you correctly guessing Levels or some variation. The winner is earthrat, whose guessed "Using Levels to work." Congrats to earthrat!

Now it's time to guess Feature #8. Hint: It's the ultimate convenience tool. All members have been sent an email invitation with a URL to enter the contest. (No direct URL this time around.) Join dekeOnline now to receive a reminder and an invitation to next week's contest!
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Photoshopping the Great Masters

Submitted by deke on 14 May 2009 - 12:15am.
School of Athens

dekePod Episode 016: Hello, friend. Let's you and I get all collegiate and stuff and engage in some intellectually stimulating free-word association.

For example, I say High Renaissance. You say, Leonardo, Michelangelo, Raphael. Very good!

But you're not done. You say, an unrivaled time of creative energy and unabashedly accurate representation of the human form. Ooh, I like that, keep it coming. The advent of secular humanism, say you, The rebirth of Classical Ideas! Read more » 

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The Masks Palette

Submitted by deke on 22 October 2008 - 12:30am.
Killer palette

dekePod Episode 008: 'Tis the season for dark and terrible creatures. Mindless teenage slashers, horrors that come alive when you dream, insane devil dolls. Photoshop CS4 has just such a dark creature living inside it: the Masks palette. It pretends to be small, unassuming, even helpful. Until you try to actually use it. That's when it slices at you and chants its taunting catchphrase, "No mask selected!" But there are ways to make the Masks palette submit to your imaging will. Secret ways, peaceful ways. And Deke is privy to them. Here's the official marketing description: Read more » 

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Blurring Live Text with a Drop Shadow

Submitted by deke on 15 July 2008 - 12:01am.

I realize I owe you lovers of the graphic arts a Part 2 to my Illustrator Transparency, Photoshop Resolve article. (If that sounds familiar, it's because I copied and pasted that sentence from last week.) But given that not a single person has expressed a problem with my delaying Part 2 -- which makes me cry real, actual, enormous crocodile tears (below) -- I'm guessing you're okay waiting.

In the meantime, I discovered something quite by chance today that made me geek out and do the d'oh, slap-my-head, I-can't-believe-I-never-figured-that-out-before thing.

Here's the idea: Photoshop does not let you blur live text. Well, all right, that's a lie. Photoshop does let you blur live text if you first convert the text to a smart object. But that's a Big Italicized If. Converting text to a smart object restricts your access to it and requires you to edit the text in a separate window, which is an increduloppus painoloopamus in the hippopotamus. Read more » 

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Photoshop CS3 Mask box art
Amazon.com

Photoshop CS3 Channels & Masks

Essentially a collection of luminance data that controls the transparency of an image, the modest alpha channel informs just about everything you do in Photoshop. and coming to terms with alpha channels (a.k.a. masks) is the most sure-fire way to boost the quality of your work in Photoshop. But masking isn’t easy. In fact, the elusive alpha channel has been described as the least understood feature in Photoshop’s enormous arsenal. Until now, that is. In Photoshop CS3 Channels and Masks, expert Deke McClelland blows the lid off the topic. Read more » 

List price: $149.95USD
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