
Deke's Techniques 141: Pimping Your Ride in Photoshop
Today I kick off Deke's Techniques: The Challenge with a new technique based on five from the past. Along the way, I'll transform a crap car into an awesome one!
Today I kick off Deke's Techniques: The Challenge with a new technique based on five from the past. Along the way, I'll transform a crap car into an awesome one!
This week, you'll increase your graphic super powers by turning the Illustrator path outlines from last week's project into independent shape layers in Photoshop.
Just in time for the 4th of July, I show you how to create a shiny, reflective superhero shield in Illustrator. It's a long, intense technique, but it's super cool as well.
There are model railroad geeks. And there are vector graphics geeks. In this episode of Deke's Techniques, the two groups of geeks get to meet.
This week, I show you how to create wicked cool tendrils of sizzlingly realistic lightning from whole cloth. Complete with ambient contact lighting.
At first glance, it seems like this week's technique is just about chasing down an Internet meme. But Deke reveals some key concepts that you can use for any digital tattoo.
In just two days, Adobe Illustrator turns 25 years old. Today, I celebrate Illustrator and the wider world of vector art with a technique that'll blow you away.
In this week's free movie, Deke shows you how to create a perfectly spaced frame around a graphic (whatever it may be) inside a Photoshop file.
Happy Valentine's Day. In honor of the occasion, I've come up with a tasty red candy of a technique, based on a misunderstood feature called the Reshape tool.
Learn how to create a specific and famous flavor of optical illusion. When viewed from far away, the image appears as one thing; when viewed close up, it appears as another.
Have you heard about Warichu inside Adobe Illustrator? Unless you live in Japan, I'm guessing not. And yet it's just the ticket for formatting American movie poster credits.
Create text, in Photoshop, that provides absolute and unambiguous contrast with everything in the composite image behind it. Automatically.