Blending Reptile-Like Scales in Illustrator (revisited, now that most of the votes are counted)

Whew. Hello, dekeWorld. It’s a beautiful Sunday morning here in Boulder, and I’ve discovered I can stare at the mountains out my office window with a much less fearful mind than I did last Tuesday. Feeling that way, it’s much easier to discuss this week’s free Deke’s Techniques episode, in which Deke considers how to make the reptile scales of our potential (but thoroughly imaginary) lizard overlords.

So, as of last week, we had only made the actual eye of our (alleged) cat eye project:

a cat eye created in Illustrator


To give this kitty (maybe) some proper scales (Feline with scales? Sounds suspicious.) this week, Deke uses a combination of a mere three path outlines combined with Adobe Illustrator’s Blend command and dynamic Roughen effect. Here are the unblended, unroughened outlines before the magic happens:

Three paths drawn in Adobe Illustrator and filled with dark tones


A Blend operation in Illustrator creates a transition between each of the paths, in both shape and color. I always think it’s fairly magical to watch. Here are our three lines with only five blend increments applied.

Three lines with five steps of blending in Adobe Illustrator


And in the service of this project which was supposedly a kitty but now needs “scales,” it’s easy to change those 5 increments to 30 in the Blend Options dialog box:

Three lines with 30 increments of blending in Adobe Illustrator


Finally (“finally”), Deke applies a Roughen effect to the blend in order to make a scaly effect on what was once allegedly cat fur:

The Roughen effect applied to a blend in Adobe Illustrator


Tune in next week, now that we are fairly sure there is a next week, to see what may actually be lurking behind that eye.

Wishing you all more compassion, less chaos, and only fictional monsters in the foreseeable future.

Next entry:Shading Your Cat’s Eye with a Gradient in Adobe Illustrator

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Comments

  • Dear Deke: I am a devoted follower of your work for the last, let me see, 20+ years. I actually own your two last O’Reilly Photoshop Bibles… and one FreeHand book (with Groucho Marx); because of the last one, I would love to ask you a very techie question… is there an e-mail where I explain further?

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